Suhr Riot Review

Name: Suhr Riot distortion pedal


Average Price: 240€

Overall Rank: 95 out of 100

Suhr, Product Overview

  • Distortion
  • Versatile high-gain distortion with the sonic characteristics and touch sensitivity of a high-quality 100 watt tube amplifier
  • Controls: Distortion, Level, Tone
  • Voicing switch
  • Foot Switch: Effect Bypass
  • Input 6.3 mm jack
  • Mono / stereo output 6.3 mm jack
  • 9 V DC power supply connection (coaxial connector 5.5 x 2.1 mm – minus pole inside)
  • Power consumption: 8 mA
  • Power via 9 V battery or 9 V DC power supply (not included, suitable power supply available under Art.409939)
  • True Bypass
  • Dimensions (W x D x H): 64 x 114 x 32 mm
  • Made in USA

The Good & the Bad

The Good:

PRO #1 Incredible and high quality powerful sound

PRO #2 You will have the sound of a high gain head into an easy to carry pedal box

PRO #3 Versatile, infinite gain. It can be used as Overdrive or as Booster too

The Bad:

CON #1 Maybe too much oriented to Rock, but the tone and voicing switch helps a lot

CON #2 A bit noisy if you don’t use it with good cables

CON #3 Not very cheap

Why I love this pedal and I chose it

I’ve been trying many distortion pedals out there. I’ve owned many on my pedalboard and I always struggled to find something that sounds not like a pedal but like a true amp, so I can use it when I go around for gigs and clinics with the amp I find at the place.

The Suhr Riot fulfilled this need. It can be easily linked to my pedalboard as the only source of distortion (I have other overdrives and fuzzes too by the way), and I can regulate its distortion through the volume pot on my guitar.

Another requirement is that it has to sound not too much high-ended, always respecting the correct amount of middle frequencies so I can stay in the mix without being covered from the sounds of the cymbals if I’m on stage with a loud drummer.

It has to sound aggressive if I want to play rough guitar rhythms but it has to be also “creamy” enough when it comes to play the solos, without becoming too fuzzy.

The good thing of the Suhr Riot is that It sounds absolutely fantastic in every situation and with almost any (good) amp I’ve tried it with.

You can be sure to have with you a great sound in any situation, and you won’t need to have a dedicated amp to achieve that high quality tube sound you aim for.

This is absolute gold for me.

Inside the Suhr Riot

It’s a very simple to use pedal, with only three controls: Distortion, Level and Tone.

The distortion pot regulates the amount of drive you will need to add to your sound. Disclaimer: the drive is practically infinite. When it’s turned down at 1-2 with the level at 8-9 it can easily be used as a booster too.

At 5-6 the sound starts already to be more rough and it becomes a nice sounding overdrive. With this sound, you can move from crunchy rhythms to bluesy solos and back.

Pushing more on the Dist pot, you will achieve incredible high gain sounds for your rock and metal solos. You won’t need that Rectified Head anymore, you will have the sound of a great 100 watt head in a little case.

The sound goes from a screamy JCM800 to a squeezed Mesa Rectifier, it’s absolutely stunning for the rhythms and very powerful for your solos. The very good thing is that this pedal never goes too much on the high frequencies. This is a very important point when it comes to high gain distortion pedals: they mostly become too fuzzy and high-ended when you have a lot of gain. It happens to me a lot that I’ve to use an equalizer to cut out those horrible high frequencies that avoid my solos to be heard properly from the crowd despite I’m playing on stage with other instruments.

With the Riot, you will always have the correct amount of frequencies in your solos, without your sound becoming too fuzzy or confused. You will always have the correct amount of frequencies while being on stage, and the sound is always defined.

The level pot controls the amount of volume required. It’s important to mix it with your amp, in order to avoid volume peaks while going from the clean to the drive sound.

The amount of volume is incredible. You can boost a lot your sound if you regulate the pot at 7-8 already. The volume control will give more volume and definition, so you most probably won’t need for a booster anymore.

Trust me it can be stupidly high, like very high volume!

Another good side of the volume pot is that it is transparent, it only adds the volume you prefer to the drive settings you’ve already decided. The more you go further with the volume, the more the sound becomes huge but its color remains the same.

The tone nob reacts well by cutting or adding high frequencies to the sound.

The voicing switch

This switch is something to look at too. It can provide some cool changes to your sound depending on the kind of nuances you will need.

On the left it produces a natural tone that responds dynamically to your guitars volume control. The sound is smooth and balanced, perfect for both solos and rhythms.

The middle position is the one I prefer. It adds some mid range to your sound, it is perfect for my solos.

The right position adds a high gain color while being a bit “vintage” at the same time. The sound become a bit more aggressive and it will help you to have more punch.

Other features

Report from the Suhr Page:

The True Bypass: Riot is true bypass pedal. This function allows for the remote switching, and the battery monitor feature. The relay produces less popping when switching the pedal on and off.

FX Link: The FX Link connector allows the pedal’s switching function to be controlled from an external switch, pedal board, loop switcher, or any other custom interface. FX Link also provides the ability to power up in the On/Off state.

Low Battery Monitor: Riot incorporates a unique battery monitor that alerts the user to low battery conditions. In addition, the battery monitor will automatically switch the pedal to True Bypass if the battery voltage is too low for the circuitry to correctly operate.


The Suhr Riot is a fantastic pedal, I gave him a very high score due to the quality of the materials and its sound.

It’s not very cheap, and considering the amount of distortion it is also quite silent, but be careful to use good cables and connectors too on your pedalboard otherwise it can become a bit noisy if used with high levels of gain. This is however a normal feature for distortion pedals, it is normal to have a bit of noise with high levels of distortion and the Riot is not that much noisy anyway. This is a great advantage that makes it stand up from competition.

I personally use this pedal in every live I do and I’ve never ever had one only issue.

Links to buy the Riot:

Amazon :

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Top 5 Overdrive Pedals

I’ve i’ve loved Overdrive Pedals since I started to play electric guitar back in 1998. I’ve had lots of different tube amps so far, and I always felt the need to have some overdrive pedal in front of the input of my amp to make it more saturated.

In this article I introduce you to my top 5 Overdrive pedals, the ones I’ve tried and enjoyed the most. I will explain you in short why I love them and how a good sounding overdrive can heavily affect your sound.

What is an Overdrive?

An overdrive is an effect used to saturate the input of a tube amp (or even an amp emulator nowadays, for example). It helps you to have much sustain, much distortion and a fatter sound that can bring you to play with more relax and dynamics in your solos. It makes your sound more “liquid” and it gives you punch to come out in the mix.

Overdrives were born officially to saturate tube amps at a decent volume. When you want to saturate properly a tube amp you’ve to increase a lot the volume of the master amp control in order to increase as much as possible the distortion of the power amp itself. This was a technique used a lot by Edward Van Halen for example and you can hear the results of his “brown sound” in his masterpiece “Eruption” even if he was also using a power amp attenuator.

Of course, you can’t always use a loud amplifier everywhere. Especially in small clubs or in your house: you can’t destroy people’s ear all the time. (even if it’s very Rock’N’Roll 🙂 ). Since you probably don’t want to go to jail, the solution to this problem is an overdrive, who will help you to reach this purpose.

Overdrives are used in pretty much every style in which an electric guitar is involved. From Hendrix to John Scofield passing by Mike Stern and lots of Metal and Djent dudes, overdrives are a very important component of every guitar player’s pedal board and it contributes a lot to the trademark’s sound of every guitarist.

I personally took my first idea of sound from Scott Henderson: he was (and I believe still is), using a Xotic Booster to increase the gain of a TS9 or a Maxon Overdrive .

So here we are. Here’s a list of my favorite overdrives, the ones I’ve had and tried in studio and live so far:

Overdrives: my top 5 best list

Ibanez Ts9


This one is the big classic. It has been used by a lot of guitar players, and personally I love it a lot.

The great thing about this simple pedal is that it gives you more natural distortion while being very transparent. It can also be boosted by a preamp like the MXR Micro amp and it becomes a very nice vocal sounding pedal for your solos, while being at the same time very creamy and huge.

I like it a lot, and it’s definitely my all time favorite because It adds sustain to my solos and it’s awesome for my rhythms. It’s also relatively cheap and you can find now the mini version to fit your full pedal board without occupying too much space.

What else to say? It’s just my overall favorite, It’s always sweet sounding and never ever too much high-ended or undefined. when you want to have creamy and punchy solos and always present and compact rhythms, this is the pedal for you. The pedal is equipped with a drive knob, a tone knob, and a level knob. The drive knob adjusts gain, the tone knob adjusts treble and the level knob adjusts the output volume of the pedal

You can find the TS9 here:

TS9 Original

TS9 Mini

Ibanez TS 808

It’s not a secret I’m a big fan of the almighty Steve Ray Vaughan. According to the legend, he used two Ibanez TS808 together to achieve his incredible huge and aggressive blues sound.

The sound of the TS808 is definitely richer, warmer, much transparent and creamy.

The main difference with the TS9 is the chip JRC 4558D, that made a big change back in the days when the overdrives were made only with transistors. This is the reason why the sound of this pedal is so rich and profound.

The TS808 is a true legend and a must in a pedal board of any Blues ( but not only ) guitarist.

Here’s the link to buy the TS808

Here’s the link to the 40th anniversary version

when want the sound of a true boutique pedal you might also check out the hand wired version with much punch and drive.

Maxon OD808

This pedal has got exactly the same sound of the TS808, but it’s true bypass.

It’s a very good alternative to the TS808

Here’s the link to buy the OD808

T-REX Diva Drive

This is the overdrive I can’t do without on my pedal board. Not only it sounds great but also you have one switch to the right side that lets you choose the different frequencies you want to exalt in your tone.

It also has got the control “mix” with which you can control and mix the sound of the pedal with the one from the amp and vice-versa. This control lets you choose the correct amount of sound you want from the pedal itself.

Despite less creamy and much punchy than the TS808 for example, this pedal is totally killer for the guitar rhythms in Hendrix Style and it’s also perfect for the solos. The sound is maybe less transparent than the Ibanez overdrives, but if you like the color of its tone, you’re on a perfect path.

Here’s the link to buy the T-Rex Diva Drive

Xotic BB Preamp

This is another great sounding pedal.

It can be used both as a Preamp-Booster for other pedal or as an overdrive to increase the gain of your amp.

In any case it will sound phenomenal. The EQ controls will allow you to sculpt your sound with more accuracy.

Again, for me this is less creamy and way more punchy than the classic TS9 for example, but the color it adds to your sound is very nice to hear. You will always have your proper spot in the mix with its tone, and it’s perfect for the solos as I find it much naturally mid-frequenced than the other pedals I talked about above. In any case, this is just a very good pedal according to my opinion, maybe less bluesy and much rock, but still amazing for everything. I think that this pedal can be used for boosting your solos, but it goes very well also with the rhythms.

Here’s the link to buy the Xotic BB Preamp

Here’s the link to the much elaborated version of the same pedal, the Xotic BB Plus Preamp and Boost Pedal

. It puts together the overdrive section and a booster in a two channel stomp box:

It gives you also much EQ controls to properly sculpt your sound.


This is my personal list of course, according to my experience and personal tastes.

I hope this article has been useful for you!

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